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  • May 29, 2019

This week's featured shot is by far my favorite of the entire film. I experimented with depth by making Saul rather dark compared to the bright light behind him, utilizing god rays for a more meaningful effect. This blog won't allow multiple files, so you'll have to wait for the full film to see the other composited shots!


I composited and color corrected shots from the last portion of the film. Unfortunately, this blog can't handle too many videos, so I picked my favorite from this week. I also created a temporary soundtrack to help us communicate with our sound designer about what we have in mind for our music.


  • May 29, 2019

Working on lighting the final scenes of the film with a bright, volumetric light. Of course, the god rays are a must. I also composited another handful of shots.


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