Lighting the first two sequences. Playing with the color of the memories, which is a saturated yellow-orange reminiscent of the sun, and the present reality, which is a desaturated yet contrast-rich blue toned scene lit by the moonlight. It's challenging when these lights have to interact with each other, such as shot 100_90, where the oranges and blues blend. I have to continue working on making them blend without turning into a murky brown. For sequence 200, I'm working on making the light harsher and stronger when it hits the Mom, like sunlight would cast harsher shadows.
Seq 100 and 200 Lighting